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Articles & Blog
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- Tracing Charlie’s Footsteps: An Artist’s Journey to Reclaim Family History
- Sonya Edney & The Beginning Of Something Bigger
- Australian Aboriginal Ochre Painting
- Five Generations Painting at Warmun Arts Centre
- In Dot Circle and Frame: The Making of Papunya Tula Art
- Sun & Shadow: Art of the Spinifex People
- Sonya Edney – Yingarrda Waterholes and Wildflowers
- Stories Of Country, Stories of Connection
- Dr George Tjapaltjarri – Exhibition Walk Through
- Colours of Ngarrindjeri Country – Exhibition Walk Through
- Dr George Tjapaltjarri Interview
- My Memories of Dr George Ward Tjapaltjarri
- Amanda Westley Taking Ngarrindjeri Art To The World
- Dr George Ward Tjapaltjarri & Ngangkari Artists
- Appreciating Aboriginal Culture vs Appropriation
- The Ethics of Collaborative Relationships Around Aboriginal Art
- Sandhill Country – Exhibition Walk Through
- Rohin Kickett – Exhibition Walk Through
- Aboriginal Communities Bring The Berndt Museum To Life
- The Rise and Rise of Noongar Art
- New Artists Of The Western & Central Desert
- Stumpy Brown – Ngupawarlu My Country – Walk Through
- Arlpwe Artists Exhibition Walk Through
- 2022 Sonya Edney Solo Exhibition Walk Through
- Barkly Artists 2022 Exhibition Walk Through
- Rover Thomas Masterpiece Goes To Japanese Museum
- New Energetic Works From Barkly Regional Arts Communities
- Something Interesting Every Single Day – Katie Lynch
- Yengi Kerri – Fire Bird by Helen McCarthy Tyalmuty
- Rohin Kickett
- Julie Nangala Robinson Exhibition Highlights
- Yondee Shane Hansen Artist Profile – Noongar Aboriginal Art
- Pirlinyanu by Julie Nangala Robinson
- Julie Nangala Robinson Pirlinyanu Exhibition
- Featuring Andrew Tjupurrula Highford
- Anangu Women Artists 2021 Walk Through
- Rosella Namok 2021 Walk Through
- Masterpiece of Nyoongar Boodja Art By Shane Pickett
- We Celebrate This Work By Helen McCarthy Tyalmuty
- Studio Visit To Meet Anangu Women Artists
- Kurun Warun Exhibition Walk Through
- Rover Thomas & Kimberley Ochre Walk Through
- Kurun Warun Painting A Moment In Time
- Art and Stories from APY Lands
- Jilamara Arts and Craft From Strength to Strength
- Tiwi Art Jilamara Exhibition Walk Through
- 2020 Stunning Spinifex Women’s Collaborative
- 2020 Staff Christmas Picks Under $700
- We Celebrate This Masterpiece From Timo Hogan
- Here’s A Couple of Our Personal Favourites
- Early Christmas Excitement With Spinifex Arts
- Spinifex Artists Project 2020 Exhibition Walk Through
- Dorothy Napangardi Exhibition Walk Through
- Stunning Major Work By Makinti Napanangka
- Meet The Warmun Artists Featured in New Japingka Exhibition
- Artists at Maningrida Art Centre
- Ochre Painting By Warmun Artists
- Aboriginal Art in the USA
- Families & Watercolour Painting Traditions From Central Australia
- Watercolour Landscapes from Aboriginal Artists of Central Australia
- Anangu Aboriginal Artists And Their Dreamtime Stories
- Australian Aboriginal Dot Painting
- Betty Pula Morton Shortlisted for 2019 Hadley’s Art Prize
- A Walk Through of Sonya’s Edney’s First Solo Show
- Artists of Ampilatwatja Share Their Bush Garden
- Phyllis Thomas, Barramundi and Diamonds
- Tommy Watson Celebrates Western Desert
- Stunning Queenie McKenzie Work Returns
- About Authority, Authenticity and Spiritual Awakening
- The Working Life of a Studio Manager at Warlayirti Artists
- Talking With Warlayirti Artists
- Amanda Westley at Home on the Coorong
- Amanda Westley & Kudditji Kngwarreye Spirit of Place
- The Numina Sisters and Stories From Central Australia
- Rare Bill Whiskey Tjapaltjarri Masterpiece Returns
- A New Way of Telling The Australian Story
- Landscape Colours and Patterns on Show At Japingka
- Let’s Take A Look Through The Landscape Colours Exhibition
- The Pintupi Artists of the Western Desert
- Aboriginal Art Regions
- Aboriginal Animal Art
- Small is Beautiful – An Exhibition Walkthrough
- Ghost Net Baskets and Silk Scarves by Anindilyakwa Arts Centre
- Andrea Adamson Tiger – An Exhibition Walkthrough
- Andrea Adamson – On Seven Sisters, Colour and A Hidden Number
- The Old & New – Exciting Diversity From Ikuntji Artists
- Utopia Artists Painting on Country Exhibiting at Japingka
- Growth, Strength and Vibrancy of Ikuntji Artists
- Wet Season Billabongs Brought To Life By Edward Blitner
- Bold Colours of the Tropical Coast From Fiona Omeenyo and Rosella Namok
- Fiona Omeenyo Colour Palettes
- Interior Design Colour Palettes
- Fiona Omeenyo and Her Sand Beach People
- The Tjanpi Desert Weavers Roving Art Centre Model
- Omie Artists Barkcloth From Papua New Guinea
- Tjanpi Weavers Bring Some Animal Magic To Japingka
- New Generation of Warlpiri Artists From The Tanami Desert
- Warakurna Artists Paintings From Paradise
- Ampilatwatja Artists and The Land of Their Dreaming Stories
- Talking About A New Generation at Warlukurlangu Arts
- The Joys and Challenge of Arts Management at Warlukurlangu Arts
- Aboriginal Desert Landscape Colour Palettes
- Blue Aboriginal Art Colour Palettes
- Ampilatwatja Art Community Colour Palettes
- From Berlin To Japingka – Ampilatwatja Artists Bring Their Joy
- Australian Aboriginal Art Centre Management
- Warakurna Artists from The Place That Calls You Home
- Tiwi Island Art Ochre Colour Palettes
- Amanda Westley – The Painting of All of Me
- Many Stories in Shades of Blue at Japingka Gallery
- Amanda Westley (Conway-Jones) First Solo Show at Japingka
- Rover Thomas Painting a Highlight at Japingka Gallery
- Australian Aboriginal Ochre Painted Larrakitj Memorial Poles
- Restoration of Australian Aboriginal Ochre Paintings
- Aboriginal Ochre Painting Colour Palettes
- Symbols Used In Spinifex Women’s Collaborative Artwork
- A Fresh Look at Teaching Aboriginal Culture & Art
- Walk Through: Spinifex Arts Project 20th Anniversary Exhibition at Japingka Gallery
- What is the Connection Between the Dreamtime and Songlines?
- Did Aboriginal Artists Use Western Art Traditions to Preserve Culture?
- Did Contemporary Aboriginal Art Really Start in the 1970s?
- New Samsung “The Frame” TV Takes Aboriginal Art To The World
- Symbolism in Aboriginal Art – Thoughts From Sarrita King
- The Art of Connection – Interviews with Australian Aboriginal Artists
- Large Wall Art By Damien & Yilpi Marks
- New Indigenous Textiles – The Next Wave
- 2017 Telstra National Aboriginal and Torres Strait Islander Art Awards
- Tjunguṉutja – The Stunning Papunya Exhibition
- Kimberley Rock Art – A New Way of Working Together
- Kimberley Rock Art – Research In Partnership With Traditional Owners
- Kimberley Rock Art – How Meanings Change
- Kimberley Rock Art – A Traditional Owner’s Perspective
- Aboriginal Rock Art of the Kimberley – An Overview
- A Closer Look At Australia’s Kimberley Rock Art
- How To Choose Art For Your First Apartment
- The Yam Dreaming of Lorna Napurrula Fencer
- The Role of Aboriginal Art In Contemporary Interior Design
- The Vibrant Colours of Womens’ Yam Dreaming
- Aboriginal Artists of Western Australia
- Bush Dyed Textiles From Anindilyakwa Art and Culture on Groote Island
- Visiting Art Communities in Australia’s North West
- Anna Petyarre and the Lands of Central Australia
- Yinjaa-Barni Celebrate Marrga Creation Dreaming Stories
- Paintings From The Earth – The Ochres From The Kimberley
- Stories of Land and Sky By The Possum Sisters
- New video library for Aboriginal art resources
- Guess Which Italian Master Inspired Kurun Warun
- Exhibition Showcases Nyoongar Artists in Northam
- Kurun Warun On Country, Choices & Living Culture
- Microscopes, Paint Brushes & the Bones of Life
- The Vivid Colours of The Tanami Desert
- Jimmy Pike’s Art In The Market Place
- Kurun Warun – Stones, Eels and Harmonious Landscape
- Jimmy Pike – Remembering His Life & His Art
- Exploring Aboriginal Art in School Visual Art Programs
- Aboriginal Women Speaking About Art, Family & Country
- Highlights from our 2016 Indigenous Art Exhibition Program
- Aboriginal Art Leads A Global Showcase of First Nation Art
- Science Uses Ochre To Map Ancient Aboriginal Trading Routes
- Seton College Aboriginal Culture Program
- Seton College Visual Arts Project
- Rosella Namok & Sisters from the Tropical North
- Elsie Napanangka Granites – Shimmering Maps of An Ancient Land
- Elsie Napanangka Granites – Art, Sorry Business & The Bulldogs
- Japingka Takes On A New Name
- Camel Camp and Beyond: Utopia Artists of the Eastern Desert
- Art & Life at Camel Camp on Utopia Homelands
- Josie Petrick Kemarre on Witch Doctors, Family & Art
- George Tuckerbox: Rare Maps of A Lost Desert Land
- NATSIAA 2016 – Exciting Times for Indigenous Art in Darwin
- In Conversation With Maria Josette Orsto
- Indigenous Culture In Schools: Sarrita King’s Perspective
- The Wangkatjungka Remote School Mentors Project – Part 1
- The Wangkatjungka Remote School Mentors Project – Part 2
- The Wangkatjungka Remote School Mentors Project – Part 3
- Tiwi Design Art Centre: A Peaceful Place For Art
- The Art & Influence of Bella Kelly
- Maria Josette Orsto and Art From the Tiwi Islands
- The Life & Art of Maria Josette Orsto
- Sarrita King: Fire And What It Is To Be Human
- Jade Dolman’s Passion For Aboriginal Art Education
- Sarrita & Tarisse King – Reflecting On Gurindji and Wave Hill
- Ana Nail – Curriculum, Aboriginal Art and Intent
- How I Curate An Aboriginal Art Exhibition at Japingka
- Remarkable Contemporary Aboriginal Fine Dot Painting
- Kimberley Ochre Painters – The Old And New
- Turbo Brown – From Homeless To Art World Rising Star
- Petrina Bedford and Her Grandfather Jack Dale Mengenen
- What My Father Jack Dale Taught Me
- Is Process More Important Than Outcome in Aboriginal Art?
- Thoughts From An Opening Night – Ceremonial Songs & Art
- Who Started The Modern Desert Aboriginal Art Movement?
- Fire Dreaming Waru Tjukurrpa
- Seeing Aboriginal Art For The First Time Thirty Years On
- New Survey Exhibition of Aboriginal Art Opens in Bucharest
- The Influence of Batik in Art of Jorna Newberry
- Aboriginal Art Exhibition Plants Seeds Of Regeneration In Romania
- A New Generation Share Sacred Women’s Stories
- Mijili Napanangka Gibson Masterpiece New York Bound
- Yuendumu Men’s Museum and Western Desert Art
- The Perpetually Evolving Michelle Possum Nungurrayi
- Rosella Namok’s Feeling For The Rain
- Cynthia Burke And Her View From The Sky
- Australian Aboriginal Art Symbols and their Meanings
- Water in Aboriginal Art – the Centre of Life
- New Aboriginal Art Education Resource For Schools
- The Carrolup School and Australian Landscape Painting
- Art in the Torres Strait Islands
- Marking Stone Dreaming Jalala
- The Canning Stock Route
- Pintupi Dreaming Tingari
- Wind Dreaming Walpa Tjukurpa
- Budgerigar Dreaming
- Waterhole Dreaming Ngupawarlu
- Lightning Dreaming
- Witchdoctor & Windmill Dreaming
- Water Dreaming
- Bush Yam Dreaming Yarla
- Kingfisher Dreaming Luurn
- Japingka Waterhole Dreaming
- Rainbow Serpent Dreamtime Story
- Bush Hen Dreaming
- Wandjina Dreamtime Story
- Damper Seed Dreaming
- Barramundi Dreaming Daiwul
- Alpar Seed Dreaming
- Kerry McCarthy: Grandfather’s Song & The Janet Holmes à Court Collection
- Aboriginal Art Movement at Utopia
- Art Centres in Arnhem Land
- Desert Art comes to Yuendumu
- Artists at Balgo
- Albert Namatjira & the Hermannsburg School
- Aboriginal Bark Paintings
- The World’s Oldest Continuous Living Culture
- Crocodile Dreaming Awurrapun
- Film Sparks Youth Interest In Art From Hamish Garrgarrku
- Mimih Sticks, Lorrkons & Bark Paintings – Maningrida Dreaming
- Five Rising Stars on the Australian Art Scene
- How Songlines Inspire What An Aboriginal Artist Will Paint
- Why Songlines Are Important In Aboriginal Art
- Custodianship In Aboriginal Art
- Yinjaa-Barni Show A Softer Side of The Pilbara
- New Affordable Aboriginal Paintings – Recently Arrived
- How Aboriginal Colours and Group Art Styles Develop
- Marcia Purdie & The Storytellers of Warmun
- Rosella Namok’s New Paintings of the Queensland Coast
- Warlpiri Star Gazers Dazzle at Japingka
- The Remarkable Life of Linda Syddick Napaltjarri
- How To Use Aboriginal Art In A Workplace Culture
- The Story Behind Star Gazers
- Indigenous and Endogenous – Cell Biologists and Aboriginal Art?
- Aboriginal Art and a Workplace Culture of Creativity
- Layers of Meaning in Aboriginal Art
- Spinifex Artists are a Special Group of Desert Painters
- Iwantja Artists Exhibition – Successful Conclusion
- Here’s Our New Exhibition From The Spinifex Arts Project
- Ted Snell On The Emergence of Contemporary Aboriginal Art
- Collector Stories – Julie Fowell & Tony Brenton
- Spirituality and the History of Aboriginal Art
- Jimmy Pike and the Birth of Desert Designs
- The Wangkatjungka Art Story
- Perspectives on Aboriginal Art – David Wroth, Japingka Gallery
- Buying Aboriginal Art: From First Time Buyers to Collectors
- Everyday Spirituality: Paintings from The Spinifex Arts Project
- Sarrita King – Art, Passion and Story Telling
- A Salute To Kudditji Kngwarreye
- Working With The Spinifex Arts Project
- Lorna Fencer’s Yam Dreaming In Major Paris Exhibition
- Lorna Fencer and Yam Dreaming – An Interview with Didier Zanette
- The Art of Lorna Napurrula Fencer (c1925 – 2006)
- Stunning Entries in the 2014 Aboriginal & Torres Strait Islander Art Awards
- New Article about the Influence of Geoffrey Bardon
- The Early Influence of Geoffrey Bardon on Aboriginal Art
- The Emily Kngwarreye Phenomenon
- Here’s An Excellent Review For Charlie’s Country
- Collector Offers Rare Aboriginal Art From Australia’s Best
- New Collector Stories – Pixie & The Alma Granites Painting That Started It All
- The Rain Making – A Story about Kurtal, by David Downs
- What Do You Need To Start Your Aboriginal Art Collection?
- Book Launch by Adrian Newstead at Japingka Gallery
- Pike Family Artists Exhibition at Japingka Gallery
- An Introductory Guide to Understanding Aboriginal Art
- Exhibitions – Aboriginal Art at Japingka Gallery 1997-2010
- Aboriginal Art and Kinship Groups
- Indigenous Art or Aboriginal Art?
- Contemporary Aboriginal Art in Australia
- Aboriginal Art Facts
- Sandhills Dreaming Tali
- Body Painting & Aboriginal Art
- Seven Sisters Dreaming Star Dreaming
- Women’s Dreaming Mina Mina Jukurrpa
- Bush Plum Dreaming
- Bush Medicine Leaves Dreaming
- Creation Dreaming – In the Beginning When the World was Soft
- Iwantja Artists – Last Days
- Mowanjum Festival
- Men of the Desert: Landmarks & Law Grounds Exhibition
- Mapping Country – Artists of Ampilatwatja Community
- Two Women Artists – Jorna Newberry & Maisie Campbell Napaltjarri
- The Colourists: Kudditji Kngwarreye & Lorna Napurrula Fencer