Marlene Harold | In the Beginning When the World was Soft
Jap 012750 | acrylic on canvas | 91 x 62 cm
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Marlene Harold | Emu Seed
Jap 011226 | acrylic on canvas | 97 x 90 cm
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Marlene Harold | Early Morning Mist
Jap 013608 | acrylic on canvas | 88 x 72 cm
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Melissa Sandy | Purple Mulla Mulla
Jap 013785 | acrylic on canvas | 81 x 62 cm
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Celia Sandy | Hamersley Ranges
Jap 011283 | acrylic on canvas | 91 x 91 cm
Barngi Pansy Sambo | Murrawa – Snakewood Tree
Jap 013609 | acrylic on linen | 113 x 80 cm
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Maudie Jerrold | Picket Fences
Jap 013621 | acrylic on canvas | 94 x 88 cm
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Celia Sandy | Waterholes – Millstream
Jap 011172 | acrylic on canvas | 110 x 41 cm
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Allery Sandy | My Country in Spring
Jap 013620 | acrylic on canvas | 98 x 80 cm
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Allery Sandy | Blue Gum
Jap 008041 | acrylic on canvas | 91 x 91 cm
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Clifton Mack | Big Rain
Jap 011171 | acrylic on canvas | 76 x 37 cm
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Allery Sandy | Hidden Creeks
Jap 013612 | acrylic on canvas | 138 x 86 cm
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Allery Sandy | Wildflowers of the Pilbara
Jap 013617 | acrylic on canvas | 95 x 92 cm
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Melissa Sandy | Country Design
Jap 013607 | acrylic on canvas | 94 x 89 cm
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Melissa Sandy | Wildflowers in Full Bloom
Jap 013610 | acrylic on canvas | 91 x 91 cm
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Aileen Sandy | Colours Through Rocks
Jap 011291 | acrylic on canvas | 61 x 59 cm
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Justina Willis | Millstream Water Lily
Jap 013614 | acrylic on canvas | 61 x 57 cm
Aileen Sandy | Colours of the Rocks
Jap 011239 | acrylic on canvas | 96 x 70 cm
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Janice Sandy | Soft Spinifex Seeds
Jap 011277 | acrylic on canvas | 84 x 45 cm
Barngi Pansy Sambo | Sturt Pea
Jap 013619 | acrylic on canvas | 90 x 44 cm
Melissa Sandy | Burst of Spring
Jap 013618 | acrylic on canvas | 58 x 46 cm
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Melissa Sandy | Becoming One
Jap 011289 | acrylic on canvas | 30 x 30 cm
Allery Sandy | Blue Gum Seed
Jap 007349 | acrylic on canvas | 30 x 30 cm
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Clifton Mack | Country Bluebells
Jap 013622 | acrylic on canvas | 94 x 35 cm
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Yinjaa-Barni artists from the Pilbara region of Western Australia tell the traditional stories of their homelands along the Fortescue River. Their paintings tell of the great Marrga or Creation era when the land was formed from the smoke of the Ancestors fires. They recognise and record the transformations of the Land as it goes from parched landscape to green bushland after torrential summer rainstorms. Abundant water forms creeks in the gorges, and the bush blossoms and the wildlife regenerates. The cycle repeats as the land dries out again in the long wait for the next rains.
The artists carry the stories of their forefathers and use a variety of styles to represent nature and its cycles of regeneration. The people maintain a long tradition of understanding and working with these transitions.