Nellie Marks Nakamarra

Nellie Marks Nakamarra - Pintupi artist, stepdaughter of Turkey Tolson Tjupurrula, paints Women’s Tingari

 

Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 022205  |  acrylic on canvas  |  90 x 60 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 022764  |  acrylic on canvas  |  60 x 60 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 022766  |  acrylic on canvas  |  90 x 60 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 021277  |  acrylic on canvas  |  148 x 89 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 021756  |  acrylic on canvas  |  60 x 60 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 022765  |  acrylic on canvas  |  90 x 60 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 022198  |  acrylic on canvas  |  60 x 60 cm

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Water Dreaming at Kalipinypa by Nellie Marks Nakamarra

Nellie Marks Nakamarra  |  Water Dreaming at Kalipinypa

Jap 020554  |  acrylic on canvas  |  30 x 30 cm

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Nellie Marks Nakamarra has been surrounded by some of the great names in Aboriginal art. Her stepfather Turkey Tolson Tjupurrula, and other significant Aboriginal artists from that era including Old Mick Namarari Tjapaltjarri and Uta Uta Tjangala. Nellie’s older sister, fellow artist Elizabeth Marks Nakamarra, has established her name amongst Central Desert artists, and Nellie has needed the time and space for her artistic talents to develop and grow.

Now Nellie Marks Nakamarra is making artistic statements of great strength and character, using the traditional knowledge that she has received and the stories associated with her Father’s country. Her images of both the country and the Tingari ceremonial components attached to that country are impressive, and her paintings are developing a spaciousness that distinguishes her work amongst the traditional paintings from her country.