Jack Britten Paintings

Jack Britten - Senior Warmun artist, painted Purnululu, Bungle Bungles in the East Kimberley.


Burrup Nyitka – Sunrise over Bungle Bungles by Jack Britten

Jack Britten  |  Burrup Nyitka – Sunrise over Bungle Bungles

Jap 018269  |  ochre on canvas  |  120 x 90 cm

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Munjalnariny – Yalatji Country by Jack Britten

Jack Britten  |  Munjalnariny – Yalatji Country

Jap 013704  |  ochre pigments on paper  |  75 x 57 cm

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Toolookwuning by Jack Britten

Jack Britten  |  Toolookwuning

Jap 010412  |  ochre on board  |  68 x 40 cm

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Milliwiny Springs – Alice Downs by Jack Britten

Jack Britten  |  Milliwiny Springs – Alice Downs

Jap 018270  |  ochre on canvas  |  110 x 60 cm

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Boolanji – Fish Hole by Jack Britten

Jack Britten  |  Boolanji – Fish Hole

Jap 006148  |  ochre on Arches paper  |  105 x 65 cm

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Untitled – Joalingi Round Hills by Jack Britten

Jack Britten  |  Untitled – Joalingi Round Hills

Jap 010414  |  ochre on paper  |  103 x 65 cm

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Goodi-Goodi by Jack Britten

Jack Britten  |  Goodi-Goodi

Jap 018267  |  ochre on linen  |  120 x 120 cm


Kinyany – Herons by Jack Britten

Jack Britten  |  Kinyany – Herons

Jap 015820  |  ochre on canvas  |  100 x 60 cm


Jack Britten (c1921- 2001) was a senior Gija Lawman who painted for about 20 years. He was born in the hills to the north of Alice Downs, at Garnawarranginy, where his family had gone to hide from white people. In his latter years he lived at Wurreranginy (Frog Hollow), his mother’s birthplace, about 35 km south of Warmun (Turkey Creek). Wurreranginy is a small outstation of which he was the chairman.

Jack Britten’s country is an area south of Warmun stretching from where he lived at Frog Hollow, east to the Bungle Bungles, then south to the former Hann Springs and Tickelara cattle stations, and on to the upper reaches of the Ord River and the hilly terrain of Mabel Downs. As a boy Jack Britten roamed these places with his family, hunting and gathering bush tucker.  In his work Jack Britten portrays some of the special sites in his homelands.

Most of Jack Britten’s childhood was spent at Tickelara. He remembers watching the adults sitting up in the hills looking out for white people.  This was at a time when many Aboriginal people were massacred during the gold rush at Halls Creek and Chinaman’s Garden.

Jack Britten began painting in the mid 1980s while at Guda Guda (Nine Mile), before Rover Thomas and Paddy Jaminji made their names, and was successful with spectacular pictures of his country between Frog Hollow and Alice Downs, including Tickelara and Hann Spring. Jack Britten’s idiosyncratic style is characterised by lines of dark hills, which he often decorated with traditional body designs, emphasising his ritual seniority. The paintings are personal interpretations of the landscape represented by numerous small round hills and large rocky boulders, the Bungle Bungles, rising above meandering creek beds.

Jack Britten used traditional techniques – methods and themes he learned from his grandparents. When painting artefacts, they used bush-gum or sap and kangaroo blood as the binder for the ochres, which capture the texture and hues of the country, and ensures their durability. The bush-gum is evident in the black and kangaroo blood in the red ochre, providing a sheen which allows a play of light in contrast to the matt opaqueness of the other ochres.

Jack Britten was famous for depicting the dense landscape in a lateral perspective. Clusters of dome shaped rocks climb up the painting surface which is busy with lines of dots and incised surface markings. His painting focused on his country, its origins, ceremonies and ancestral figures.  The spiritual and physical landscapes merged in Jack Britten’s vision. He said that he painted all the things made by the travelling Dreaming as it created the land. The distinctive dotting which outlines and is embodied in the landscape, for example, the sedimentary layers of the Bungle Bungles, forms and describes both the country and evokes the presence of ancestors and ceremony.

Jack Britten also used the distinctive zig-zag incising, mostly seen in engraved carvings from the Kimberley, but used this in his work to draw our attention to elements of the landscape with its rough textures and bold designs.  Jack Britten is represented in all major collections throughout Australia including National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Art Gallery of Western Australia, Museum and Art Gallery of the Northern Territory, Berndt Museum of Anthropology, Holmes à Court Collection, and in the Kelton Foundation USA and Gifu Museum, Japan. Aboriginal art status – Iconic artist.

Selected Exhibitions

1987     Aboriginal Art from the Kimberley, Goolarabooloo Gallery, Broome WA
1988     Art of the East Kimberley, Birrukmarri Gallery, Fremantle WA
1988     Aboriginal Art from the Kimberley, New South Wales Craft Council Gallery, Sydney NSW
1989     Turkey Creek Recent Work, Deutscher Gertrude Street, Melbourne VIC
1990     The 17th National Aboriginal Art Award, Museum and Art Gallery of the Northern Territory, Darwin NT
1992     Crossroads – Towards a New Reality, Aboriginal Art from Australia, National Museums of Art, Kyoto and Tokyo, Japan
1992     Broome Fringe Festival, Broome WA
1992     The 9th Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin NT
1993     Images of Power, Aboriginal Art of the Kimberley, National Gallery of Victoria, Melbourne VIC
1994     Australian Heritage Commission aboriginal and torres Strait Islander Art Award Exhibition, Old Parliament House, Canberra ACT
1994     Power of the Land, Masterpieces of Aboriginal Art, National Gallery of Victoria, Melbourne VIC
1997     Solo Exhibition, Kimberley Art, Melbourne VIC
2013     Landmarks and Law Grounds: Men of the Desert, Japingka Gallery, Fremantle WA