Cloud Forest Unfolding

Omie Artists - Gallery 1

18 September– 20 October 2026

 

Gusiraje Clan Design of the Rorone plant by Jessy-Rose Evovo (Cubaitori)

Jessy-Rose Evovo (Cubaitori)  |  Gusiraje Clan Design of the Rorone plant

Jap 025407  |  natural pigments on barkcloth  |  92 x 57.5 cm

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Fruit of the Sihe Tree, Design of the Eye by Barbara Rauno (Inasu)

Barbara Rauno (Inasu)  |  Fruit of the Sihe Tree, Design of the Eye

Jap 025415  |  natural pigments on barkcloth  |  137 x 45.5 cm

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Head Markings of the Jimu Jimu Bird by Josephina Mekio (Sela)

Josephina Mekio (Sela)  |  Head Markings of the Jimu Jimu Bird

Jap 025417  |  natural pigments on barkcloth  |  136 x 75 cm

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The Sun and Eye of the Sun by Ilma Ugiobari (Ajikume)

Ilma Ugiobari (Ajikume)  |  The Sun and Eye of the Sun

Jap 025402  |  appliquéd mud-dyed barkcloth   |  125 x 71.5 cm

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Pattern of the Snake Skin and Leaf Pattern by Maureen Sirimi (Jafuri)

Maureen Sirimi (Jafuri)  |  Pattern of the Snake Skin and Leaf Pattern

Jap 025419  |  natural pigments on barkcloth  |  116 x 53.5 cm

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Ancestors Tattoo Design of the Chin Tree Bark by Jessie Bujava (Kipora)

Jessie Bujava (Kipora)  |  Ancestors Tattoo Design of the Chin Tree Bark

Jap 025408  |  natural pigments on barkcloth  |  121 x 66 cm

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Ancestors Tattoo Design of the Chin Tree Bark by Jessie Bujava (Kipora)

Jessie Bujava (Kipora)  |  Ancestors Tattoo Design of the Chin Tree Bark

Jap 025409  |  natural pigments on barkcloth  |  83 x 54.5 cm

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Omie Mountains, Pattern of the Snake Skin by Diona Jonevari (Suwarari)

Diona Jonevari (Suwarari)  |  Omie Mountains, Pattern of the Snake Skin

Jap 025411  |  natural pigments on barkcloth  |  160 x 51.5 cm

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Eel-bone Jewellery for Initiation Piercings by Diona Jonevari (Suwarari)

Diona Jonevari (Suwarari)  |  Eel-bone Jewellery for Initiation Piercings

Jap 025412  |  natural pigments on barkcloth  |  94 x 59.5 cm

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Tail-feathers of the Swift in Flight by Bibira Ugiobari (Piruko)

Bibira Ugiobari (Piruko)  |  Tail-feathers of the Swift in Flight

Jap 025404  |  appliquéd mud-dyed barkcloth   |  128 x 62 cm

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Misaje Clan Emblem of the River Plant by Darlene Uhamo

Darlene Uhamo  |  Misaje Clan Emblem of the River Plant

Jap 025420  |  natural pigments on barkcloth  |  125 x 87 cm

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Pig Tusks Necklaces by Dapeni Jonevari (Mokokari)

Dapeni Jonevari (Mokokari)   |  Pig Tusks Necklaces

Jap 025396  |  natural pigments on barkcloth  |  140 x 66.5 cm

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Eel-bone Jewellery for Initiation Piercings by

Eel-bone Jewellery for Initiation Piercings

Jap 025398  |  natural pigments on barkcloth  |  88 x 72.5 cm

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Omie Mountains, Eye of the Parrot by Diona Jonevari (Suwarari)

Diona Jonevari (Suwarari)  |  Omie Mountains, Eye of the Parrot

Jap 025490  |  natural pigments on barkcloth  |  139 x 67 cm

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Eel-bone Jewellery for Initiation Piercings by Faith Jinaemi (Iva)

Faith Jinaemi (Iva)  |  Eel-bone Jewellery for Initiation Piercings

Jap 025491  |  natural pigments on barkcloth  |  131 x 54 cm

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Omie Mountains, Beaks of the Papuan Hornbill by Diona Jonevari (Suwarari)

Diona Jonevari (Suwarari)  |  Omie Mountains, Beaks of the Papuan Hornbill

Jap 025410  |  natural pigments on barkcloth  |  203 x 110 cm

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Gusiraje Clan Design of the Rorone plant by Jessy-Rose Evovo (Cubaitori)

Jessy-Rose Evovo (Cubaitori)  |  Gusiraje Clan Design of the Rorone plant

Jap 025406  |  natural pigments on barkcloth  |  123 x 80 cm

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Cloth of the Ancestors – Gardens by Fate Savari (Isawdi)

Fate Savari (Isawdi)   |  Cloth of the Ancestors – Gardens

Jap 025394  |  natural pigments on barkcloth  |  92.5 x 51 cm

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Wings of the Flying Fox by Ilma Ugiobari (Ajikume)

Ilma Ugiobari (Ajikume)  |  Wings of the Flying Fox

Jap 025403  |  appliquéd mud-dyed barkcloth   |  123 x 59 cm

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Eel-bone Jewellery for Initiation Piercings by

Eel-bone Jewellery for Initiation Piercings

Jap 025399  |  natural pigments on barkcloth  |  94.5 x 66 cm

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Face Paint Design for Dancing by Pauline-Rose Hago (Derami)

Pauline-Rose Hago (Derami)   |  Face Paint Design for Dancing

Jap 025400  |  natural pigments on barkcloth  |  128 x 55 cm

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Wings of the Butterfly, Jungle Vines by Lila Warrimou (Misaso)

Lila Warrimou (Misaso)   |  Wings of the Butterfly, Jungle Vines

Jap 025395  |  natural pigments on barkcloth  |  153 x 120 cm

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Frog Hipbones, Climbing Jungle Vine by Elvina Naumo (Ebahino)

Elvina Naumo (Ebahino)  |  Frog Hipbones, Climbing Jungle Vine

Jap 025416  |  natural pigments on barkcloth  |  132 x 79.5 cm

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Skin of the Yellow Snake by Flora Oviro (Anu)

Flora Oviro (Anu)  |  Skin of the Yellow Snake

Jap 025401  |  natural pigments on barkcloth  |  117.5 x 97.5 cm

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Pig Tusk Necklaces – Customary Omie Wealth by

Pig Tusk Necklaces – Customary Omie Wealth

Jap 025414  |  natural pigments on barkcloth  |  59.5 x 98 cm

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Emate Clan Design of the Bare Tree Branches by

Emate Clan Design of the Bare Tree Branches

Jap 025418  |  natural pigments on barkcloth  |  110 x 47 cm

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Mens Ujawe Initiation Rite Tattoo Design by Elizabeth Guho (Owkeja)

Elizabeth Guho (Owkeja)  |  Mens Ujawe Initiation Rite Tattoo Design

Jap 025397  |  natural pigments on barkcloth  |  119 x 103 cm

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Pig Tusk Necklaces – Customary Omie Wealth by

Pig Tusk Necklaces – Customary Omie Wealth

Jap 025413  |  natural pigments on barkcloth  |  129 x 49.5 cm

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Omie Mountains, Beaks of the Papuan Hornbill by Helen Rubuno (Nohu)

Helen Rubuno (Nohu)  |  Omie Mountains, Beaks of the Papuan Hornbill

Jap 025405  |  natural pigments on barkcloth  |  93 x 59.5 cm

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Traditional barkcloth comes from the inner bark sourced from rainforest trees. The bark is stripped and folded, then black palm mallets are used to pound the bark across flat stones. The result is a strong fibre-like cloth that can be dyed or painted with natural forest colours made from fruit, ferns, leaves and charcoal. The fabric is then appliquéd using a bat-wing bone needle. Created mostly by tribeswomen, barkcloth is worn by all members of the village, and is an important part of ceremonial practice, particularly for marriage, initiation and funerary rites.

As bark painting designs originated from body painting, rich in story and law, so too does barkcloth share similar connotations – dazzling effects of line and motif, brought to life through dance and movement inherent in ceremonial practice. Barkcloth is a traditional part of Pacific Islander culture, and the tapa is the customary textile of the Ömie from Oro Province in Papua New Guinea.